| A churchyard. |
| [Enter two Clowns, with spades, &c] |
| First Clown | Is she to be buried in Christian burial that | ||
| wilfully seeks her own salvation? |
| Second Clown | I tell thee she is: and therefore make her grave | ||
| straight: the crowner hath sat on her, and finds it | |||
| Christian burial. | 5 |
| First Clown | How can that be, unless she drowned herself in her | ||
| own defence? |
| Second Clown | Why, 'tis found so. |
| First Clown | It must be 'se offendendo;' it cannot be else. For | ||
| here lies the point: if I drown myself wittingly, | 10 | ||
| it argues an act: and an act hath three branches: it | |||
| is, to act, to do, to perform: argal, she drowned | |||
| herself wittingly. |
| Second Clown | Nay, but hear you, goodman delver,-- |
| First Clown | Give me leave. Here lies the water; good: here | 15 | |
| stands the man; good; if the man go to this water, | |||
| and drown himself, it is, will he, nill he, he | |||
| goes,--mark you that; but if the water come to him | |||
| and drown him, he drowns not himself: argal, he | |||
| that is not guilty of his own death shortens not his own life. | 20 |
| Second Clown | But is this law? |
| First Clown | Ay, marry, is't; crowner's quest law. |
| Second Clown | Will you ha' the truth on't? If this had not been | ||
| a gentlewoman, she should have been buried out o' | |||
| Christian burial. | 25 |
| First Clown | Why, there thou say'st: and the more pity that | ||
| great folk should have countenance in this world to | |||
| drown or hang themselves, more than their even | |||
| Christian. Come, my spade. There is no ancient | |||
| gentleman but gardeners, ditchers, and grave-makers: | 30 | ||
| they hold up Adam's profession. |
| Second Clown | Was he a gentleman? |
| First Clown | He was the first that ever bore arms. |
| Second Clown | Why, he had none. |
| First Clown | What, art a heathen? How dost thou understand the | 35 | |
| Scripture? The Scripture says 'Adam digged:' | |||
| could he dig without arms? I'll put another | |||
| question to thee: if thou answerest me not to the | |||
| purpose, confess thyself-- |
| Second Clown | Go to. | 40 |
| First Clown | What is he that builds stronger than either the | ||
| mason, the shipwright, or the carpenter? |
| Second Clown | The gallows-maker; for that frame outlives a | ||
| thousand tenants. |
| First Clown | I like thy wit well, in good faith: the gallows | 45 | |
| does well; but how does it well? it does well to | |||
| those that do in: now thou dost ill to say the | |||
| gallows is built stronger than the church: argal, | |||
| the gallows may do well to thee. To't again, come. |
| Second Clown | 'Who builds stronger than a mason, a shipwright, or | 50 | |
| a carpenter?' |
| First Clown | Ay, tell me that, and unyoke. |
| Second Clown | Marry, now I can tell. |
| First Clown | To't. |
| Second Clown | Mass, I cannot tell. | 55 | |
| [Enter HAMLET and HORATIO, at a distance] |
| First Clown | Cudgel thy brains no more about it, for your dull | ||
| ass will not mend his pace with beating; and, when | |||
| you are asked this question next, say 'a | |||
| grave-maker: 'the houses that he makes last till | |||
| doomsday. Go, get thee to Yaughan: fetch me a | 60 | ||
| stoup of liquor. | |||
| [Exit Second Clown] | |||
| [He digs and sings] | |||
| In youth, when I did love, did love, | |||
| Methought it was very sweet, | |||
| To contract, O, the time, for, ah, my behove, | |||
| O, methought, there was nothing meet. | 65 |
| HAMLET | Has this fellow no feeling of his business, that he | ||
| sings at grave-making? |
| HORATIO | Custom hath made it in him a property of easiness. |
| HAMLET | 'Tis e'en so: the hand of little employment hath | ||
| the daintier sense. | 70 |
| First Clown | [Sings] | ||
| But age, with his stealing steps, | |||
| Hath claw'd me in his clutch, | |||
| And hath shipped me intil the land, | |||
| As if I had never been such. | 75 | ||
| [Throws up a skull] |
| HAMLET | That skull had a tongue in it, and could sing once: | ||
| how the knave jowls it to the ground, as if it were | |||
| Cain's jaw-bone, that did the first murder! It | |||
| might be the pate of a politician, which this ass | |||
| now o'er-reaches; one that would circumvent God, | 80 | ||
| might it not? |
| HORATIO | It might, my lord. |
| HAMLET | Or of a courtier; which could say 'Good morrow, | ||
| sweet lord! How dost thou, good lord?' This might | |||
| be my lord such-a-one, that praised my lord | 85 | ||
| such-a-one's horse, when he meant to beg it; might it not? |
| HORATIO | Ay, my lord. |
| HAMLET | Why, e'en so: and now my Lady Worm's; chapless, and | ||
| knocked about the mazzard with a sexton's spade: | |||
| here's fine revolution, an we had the trick to | 90 | ||
| see't. Did these bones cost no more the breeding, | |||
| but to play at loggats with 'em? mine ache to think on't. |
| First Clown | [Sings] | ||
| A pick-axe, and a spade, a spade, | |||
| For and a shrouding sheet: | 95 | ||
| O, a pit of clay for to be made | |||
| For such a guest is meet. | |||
| [Throws up another skull] |
| HAMLET | There's another: why may not that be the skull of a | ||
| lawyer? Where be his quiddities now, his quillets, | |||
| his cases, his tenures, and his tricks? why does he | 100 | ||
| suffer this rude knave now to knock him about the | |||
| sconce with a dirty shovel, and will not tell him of | |||
| his action of battery? Hum! This fellow might be | |||
| in's time a great buyer of land, with his statutes, | |||
| his recognizances, his fines, his double vouchers, | 105 | ||
| his recoveries: is this the fine of his fines, and | |||
| the recovery of his recoveries, to have his fine | |||
| pate full of fine dirt? will his vouchers vouch him | |||
| no more of his purchases, and double ones too, than | |||
| the length and breadth of a pair of indentures? The | 110 | ||
| very conveyances of his lands will hardly lie in | |||
| this box; and must the inheritor himself have no more, ha? |
| HORATIO | Not a jot more, my lord. |
| HAMLET | Is not parchment made of sheepskins? |
| HORATIO | Ay, my lord, and of calf-skins too. | 115 |
| HAMLET | They are sheep and calves which seek out assurance | ||
| in that. I will speak to this fellow. Whose | |||
| grave's this, sirrah? |
| First Clown | Mine, sir. | ||
| [Sings] | |||
| O, a pit of clay for to be made | 120 | ||
| For such a guest is meet. |
| HAMLET | I think it be thine, indeed; for thou liest in't. |
| First Clown | You lie out on't, sir, and therefore it is not | ||
| yours: for my part, I do not lie in't, and yet it is mine. |
| HAMLET | 'Thou dost lie in't, to be in't and say it is thine: | 125 | |
| 'tis for the dead, not for the quick; therefore thou liest. |
| First Clown | 'Tis a quick lie, sir; 'twill away gain, from me to | ||
| you. |
| HAMLET | What man dost thou dig it for? |
| First Clown | For no man, sir. | 130 |
| HAMLET | What woman, then? |
| First Clown | For none, neither. |
| HAMLET | Who is to be buried in't? |
| First Clown | One that was a woman, sir; but, rest her soul, she's dead. |
| HAMLET | How absolute the knave is! we must speak by the | 135 | |
| card, or equivocation will undo us. By the Lord, | |||
| Horatio, these three years I have taken a note of | |||
| it; the age is grown so picked that the toe of the | |||
| peasant comes so near the heel of the courtier, he | |||
| gaffs his kibe. How long hast thou been a | 140 | ||
| grave-maker? |
| First Clown | Of all the days i' the year, I came to't that day | ||
| that our last king Hamlet overcame Fortinbras. |
| HAMLET | How long is that since? |
| First Clown | Cannot you tell that? every fool can tell that: it | 145 | |
| was the very day that young Hamlet was born; he that | |||
| is mad, and sent into England. |
| HAMLET | Ay, marry, why was he sent into England? |
| First Clown | Why, because he was mad: he shall recover his wits | ||
| there; or, if he do not, it's no great matter there. | 150 |
| HAMLET | Why? |
| First Clown | 'Twill, a not be seen in him there; there the men | ||
| are as mad as he. |
| HAMLET | How came he mad? |
| First Clown | Very strangely, they say. | 155 |
| HAMLET | How strangely? |
| First Clown | Faith, e'en with losing his wits. |
| HAMLET | Upon what ground? |
| First Clown | Why, here in Denmark: I have been sexton here, man | ||
| and boy, thirty years. | 160 |
| HAMLET | How long will a man lie i' the earth ere he rot? |
| First Clown | I' faith, if he be not rotten before he die--as we | ||
| have many pocky corses now-a-days, that will scarce | |||
| hold the laying in--he will last you some eight year | |||
| or nine year: a tanner will last you nine year. | 165 |
| HAMLET | Why he more than another? |
| First Clown | Why, sir, his hide is so tanned with his trade, that | ||
| he will keep out water a great while; and your water | |||
| is a sore decayer of your whoreson dead body. | |||
| Here's a skull now; this skull has lain in the earth | 170 | ||
| three and twenty years. |
| HAMLET | Whose was it? |
| First Clown | A whoreson mad fellow's it was: whose do you think it was? |
| HAMLET | Nay, I know not. |
| First Clown | A pestilence on him for a mad rogue! a' poured a | 175 | |
| flagon of Rhenish on my head once. This same skull, | |||
| sir, was Yorick's skull, the king's jester. |
| HAMLET | This? |
| First Clown | E'en that. |
| HAMLET | Let me see. | 180 | |
| [Takes the skull] | |||
| Alas, poor Yorick! I knew him, Horatio: a fellow | |||
| of infinite jest, of most excellent fancy: he hath | |||
| borne me on his back a thousand times; and now, how | |||
| abhorred in my imagination it is! my gorge rims at | |||
| it. Here hung those lips that I have kissed I know | 185 | ||
| not how oft. Where be your gibes now? your | |||
| gambols? your songs? your flashes of merriment, | |||
| that were wont to set the table on a roar? Not one | |||
| now, to mock your own grinning? quite chap-fallen? | |||
| Now get you to my lady's chamber, and tell her, let | 190 | ||
| her paint an inch thick, to this favour she must | |||
| come; make her laugh at that. Prithee, Horatio, tell | |||
| me one thing. |
| HORATIO | What's that, my lord? |
| HAMLET | Dost thou think Alexander looked o' this fashion i' | 195 | |
| the earth? |
| HORATIO | E'en so. |
| HAMLET | And smelt so? pah! | ||
| [Puts down the skull] |
| HORATIO | E'en so, my lord. |
| HAMLET | To what base uses we may return, Horatio! Why may | 200 | |
| not imagination trace the noble dust of Alexander, | |||
| till he find it stopping a bung-hole? |
| HORATIO | 'Twere to consider too curiously, to consider so. |
| HAMLET | No, faith, not a jot; but to follow him thither with | ||
| modesty enough, and likelihood to lead it: as | 205 | ||
| thus: Alexander died, Alexander was buried, | |||
| Alexander returneth into dust; the dust is earth; of | |||
| earth we make loam; and why of that loam, whereto he | |||
| was converted, might they not stop a beer-barrel? | |||
| Imperious Caesar, dead and turn'd to clay, | 210 | ||
| Might stop a hole to keep the wind away: | |||
| O, that that earth, which kept the world in awe, | |||
| Should patch a wall to expel the winter flaw! | |||
| But soft! but soft! aside: here comes the king. | |||
| [Enter Priest, &c. in procession; the Corpse of | |||
| OPHELIA, LAERTES and Mourners following; KING | |||
| CLAUDIUS, QUEEN GERTRUDE, their trains, &c] | |||
| The queen, the courtiers: who is this they follow? | 215 | ||
| And with such maimed rites? This doth betoken | |||
| The corse they follow did with desperate hand | |||
| Fordo its own life: 'twas of some estate. | |||
| Couch we awhile, and mark. | |||
| [Retiring with HORATIO] |
| LAERTES | What ceremony else? | 220 |
| HAMLET | That is Laertes, | ||
| A very noble youth: mark. |
| LAERTES | What ceremony else? |
| First Priest | Her obsequies have been as far enlarged | ||
| As we have warrantise: her death was doubtful; | 225 | ||
| And, but that great command o'ersways the order, | |||
| She should in ground unsanctified have lodged | |||
| Till the last trumpet: for charitable prayers, | |||
| Shards, flints and pebbles should be thrown on her; | |||
| Yet here she is allow'd her virgin crants, | 230 | ||
| Her maiden strewments and the bringing home | |||
| Of bell and burial. |
| LAERTES | Must there no more be done? |
| First Priest | No more be done: | ||
| We should profane the service of the dead | 235 | ||
| To sing a requiem and such rest to her | |||
| As to peace-parted souls. |
| LAERTES | Lay her i' the earth: | ||
| And from her fair and unpolluted flesh | |||
| May violets spring! I tell thee, churlish priest, | 240 | ||
| A ministering angel shall my sister be, | |||
| When thou liest howling. |
| HAMLET | What, the fair Ophelia! |
| QUEEN GERTRUDE | Sweets to the sweet: farewell! | ||
| [Scattering flowers] | |||
| I hoped thou shouldst have been my Hamlet's wife; | 245 | ||
| I thought thy bride-bed to have deck'd, sweet maid, | |||
| And not have strew'd thy grave. |
| LAERTES | O, treble woe | ||
| Fall ten times treble on that cursed head, | |||
| Whose wicked deed thy most ingenious sense | 250 | ||
| Deprived thee of! Hold off the earth awhile, | |||
| Till I have caught her once more in mine arms: | |||
| [Leaps into the grave] | |||
| Now pile your dust upon the quick and dead, | |||
| Till of this flat a mountain you have made, | |||
| To o'ertop old Pelion, or the skyish head | 255 | ||
| Of blue Olympus. |
| HAMLET | [Advancing] What is he whose grief | ||
| Bears such an emphasis? whose phrase of sorrow | |||
| Conjures the wandering stars, and makes them stand | |||
| Like wonder-wounded hearers? This is I, | 260 | ||
| Hamlet the Dane. | |||
| [Leaps into the grave] |
| LAERTES | The devil take thy soul! | |
| [Grappling with him] |
| HAMLET | Thou pray'st not well. | ||
| I prithee, take thy fingers from my throat; | |||
| For, though I am not splenitive and rash, | |||
| Yet have I something in me dangerous, | 265 | ||
| Which let thy wiseness fear: hold off thy hand. |
| KING CLAUDIUS | Pluck them asunder. |
| QUEEN GERTRUDE | Hamlet, Hamlet! |
| All | Gentlemen,-- |
| HORATIO | Good my lord, be quiet. | |
| [The Attendants part them, and they come out of the grave] |
| HAMLET | Why I will fight with him upon this theme | 270 | |
| Until my eyelids will no longer wag. |
| QUEEN GERTRUDE | O my son, what theme? |
| HAMLET | I loved Ophelia: forty thousand brothers | ||
| Could not, with all their quantity of love, | |||
| Make up my sum. What wilt thou do for her? | 275 |
| KING CLAUDIUS | O, he is mad, Laertes. |
| QUEEN GERTRUDE | For love of God, forbear him. |
| HAMLET | 'Swounds, show me what thou'lt do: | ||
| Woo't weep? woo't fight? woo't fast? woo't tear thyself? | |||
| Woo't drink up eisel? eat a crocodile? | 280 | ||
| I'll do't. Dost thou come here to whine? | |||
| To outface me with leaping in her grave? | |||
| Be buried quick with her, and so will I: | |||
| And, if thou prate of mountains, let them throw | |||
| Millions of acres on us, till our ground, | 285 | ||
| Singeing his pate against the burning zone, | |||
| Make Ossa like a wart! Nay, an thou'lt mouth, | |||
| I'll rant as well as thou. |
| QUEEN GERTRUDE | This is mere madness: | ||
| And thus awhile the fit will work on him; | 290 | ||
| Anon, as patient as the female dove, | |||
| When that her golden couplets are disclosed, | |||
| His silence will sit drooping. |
| HAMLET | Hear you, sir; | ||
| What is the reason that you use me thus? | 295 | ||
| I loved you ever: but it is no matter; | |||
| Let Hercules himself do what he may, | |||
| The cat will mew and dog will have his day. | |||
| [Exit] |
| KING CLAUDIUS | I pray you, good Horatio, wait upon him. | ||
| [Exit HORATIO] | |||
| [To LAERTES] | |||
| Strengthen your patience in our last night's speech; | 300 | ||
| We'll put the matter to the present push. | |||
| Good Gertrude, set some watch over your son. | |||
| This grave shall have a living monument: | |||
| An hour of quiet shortly shall we see; | |||
| Till then, in patience our proceeding be. | 305 | ||
| [Exeunt] |